I am a writer and editor living in London. Aside from books, I write essays and reviews. My latest book, Dostoevsky in Love, is published by Bloomsbury (2021), and I am now working on a history of Cyprus.
The world is beginning to catch up with Mary Gaitskill. In the UK, there has been renewed interest following Serpent’s Tail’s 2019 publication of her 15,000 word New Yorker story, ‘This is Pleasure’, as a slim standalone volume last year, followed in 2020 by the publication of her Granta essay ‘Lost Cat’ in an equally … Continue reading
One of the most illuminating curiosities to have emerged from the study of George Eliot’s early writing is the amount of time she spent engaging with the philosophy of Baruch Spinoza. She began her life of letters as Marian Evans, translating David Strauss’s The Life of Jesus, which owes a debt to Spinoza, while still in her twenties. … Continue reading
We should never bisect the things we love. Friends, nations, puppies. I would argue an exception for pizza. But over the last 24 hours I have found that almost everyone on the internet agrees we should not chop books in half, even if they are very long. It started when my colleague saw half a … Continue reading
This year, Faber is reissuing five novels by Thomas Bernhard, who rose to fame as a thorn in the side of the Austrian establishment, though he comes down to us as “Austria’s finest postwar writer”, in the words of Gabriel Josipovici. The first two of these reissues, Concrete (1982) and Extinction (1986), were released in March, with beautiful abstract … Continue reading
On the evening of 5th July 2018, carefully selected guests filtered into Buckingham Palace for dinner with Camilla, Duchess of Cornwall. You might say that the invitation list had started to be compiled fifty years previously. There were ten authors present, oddly biased towards the first half of the alphabet: Julian Barnes, Paul Beatty, Peter … Continue reading
I’ve finally been out of school for as long as I was in it. School takes ages, doesn’t it? It used to feel almost like a waiting room to me. You get ushered into a room and told to sit quietly for hours at a time and the reading material they’ve laid out maybe isn’t … Continue reading
Chris Power’s first collection of short stories, MOTHERS, is peopled by the restless – forever walking, running, travelling, holidaying, city-hopping, doing anything not to stand still. They are displaced, impulsive, sometimes desperate. The narrator of one story summarises it as ‘the lightness of being far from home, the pleasure and terror of being free to do … Continue reading